Reel Simple Top 10: #2 & #1

And just like that, we're down to #2 and #1. Thanks for sticking with me through this series!

If you missed #4 & #3, read them here.

If you missed #6 & #5, read them here.

If you missed #8 & #7, read them here.

If you missed #10 & #9, read them here.

#2: Blue Jasmine

Cast:  Cate Blanchett, Sally Hawkins, Alec Baldwin

Director: Woody Allen

Release Year: 2013

I blame it on my chronic fear of flying, but I usually have no recollection of movies that I watch on airplanes. So it’s truly saying something that I not only remembered, but thoroughly enjoyed Woody Allen’s latest cinematic display of neuroses.

Blue Jasmine centers on its title character, whose husband’s fraudulent business affairs have left her bankrupt and grasping for dear life onto the dredges of her once-opulent existence in New York City as she relocates to her decidedly less extravagant sister’s humble home in San Francisco. The film is an undisguised shadow of Tennessee Williams’ iconic 1947 play A Streetcar Named Desire; although, Jasmine’s excessive pill-popping, martini-guzzling, muttering-to-herself habits almost make Blanche DuBois look like she has it all together. Prickling with nervous energy and wobbling on the brink of complete unhingement, Jasmine’s frenetic struggle to recoup from her financial blows and psychological humiliation is pathetic in the most fascinating way.

Sally Hawkins and Alec Baldwin turn in notable performances but, as expected (and necessary), the film belongs to the actor in the title role. Cate Blanchett adopts the role of the derailed Jasmine to perfection, careening from one extreme of childish denial to another of unapologetic pompousness and yet another of pure insanity. I’d never thought I’d love a character that stressed me out so much.  If you (like me) have always been on the fence about Allen’s particular brand of storytelling, Blue Jasmine—and Blanchett—may just have scored him a few favorable points.

#1: Le Grand Amour

Cast: Pierre Etaix, Annie Fratellini, Nicole Calfan, Alain Janey 

Director: Pierre Etaix

Release Year: 1969

Released in 1969, but withheld from distribution due to legal battles and deals gone wrong, Le Grand Amour may be the oldest film featured on this list, but it could very well be one of the best.

I won’t pretend to be an authority on French cinema. Sure, we covered the New Wave in my college Film Theory class, and I’m not completely oblivious to the enduring influence of comic auteurs like Jaques Tati, but by and large, I watched Le Grand Amour as “green” and as unassumingly as any regular moviegoer. This is probably why, once the film ended, I couldn’t get out of the theater and back home fast enough to Google the heck out of Pierre Etaix, with one question constantly churning in my mind: Why, why has a movie like this been stuck in a vault all these years when movies like this are allowed to even be made?  The injustice baffles me.

Le Grand Amour follows a young middle-class man, whose reluctant acquiescence to marriage propels him into a colorless existence of regrets, boredom, and unfulfilled fantasies of freedom.

The film is undoubtedly a judgment of the bourgeoisie existence–the lengthy grapevine through which community gossip travels, the excruciating obligations of upper middle-class domesticity, the monotonous rhythm of work– but Etaix is never bitter or malicious in his portrayal, choosing instead to imply a critical undertone through whimsical daydreams, hints of slapstick, and self-referential humor. It is one of the sweetest, most good-natured expressions of social commentary that I’ve ever seen.

Whatever I say to laud Le Grand Amour will be inadequate. Do yourself a favor and watch it for yourself. It may just be one of the best films you watch this year, too.

And finally, a sneak peek at the upcoming films as well as those I just didn't get to this year, that I'm most looking forward to watching in 2014:

American Hustle

The Dallas Buyers Club

The Butler

Saving Mr. Banks

These Birds Walk

Maybe this was a bad idea, because I just realized I could go on and on….

Here's to another year of magic at the movies!

Which was the best film you watched in 2013?
Which films are you looking forward to watching in 2014?